Building Office / Aras Burak’s latest competition entry for Bursa Ataturk Sports Center is a transformable building that is able to convert from sports center into a concert/event hall. Another disappointing competition effort done in Turkey with no recognition in terms of awards. Special thanks to Aris Kozmidis of ARUP and Gözde Kızılkan, Architect for collaboration. Find more on Building Office website.
One of the 146 entries was Building Office’s Gezi Park District for Istanbul Taksim Square design competition organized by Istanbul Municipality.
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Project is a design proposal for one of the most historical education institutions in Turkey, Istanbul Technical University, Isletme Fakultesi, Business School building. The existing 1960’s designed building is a series of masses that are spread on-site, connected with walkway masses — the program provided in brief for the new building almost required to fill the whole site. There was also a height restriction to match the height of the neighboring historical Macka campus. Between this historical Macka campus building and the new building, there is also a formerly Ottoman police station nowadays used by ITU. We wanted to avoid having a huge mass begging for attention from the main street at the same time we wanted the new campus to be iconic and exciting for its students, academics. After analyzing the given brief, we decided to split all admin into one single building, orient it to the site edge, which also coincides with a great view of Bosphorus. The rest of the program was catered for the students, where we thought the stacked mass of amphitheaters could efficiently work within the massing of a cylinder. The connection between the buildings is thought to be within the podium level, where the ceiling of this podium meets the topographical edges of the site; therefore the podium seems buried underground.
BUILDING OFFICE ARAS BURAK STRUCTURE ARIS KOZMIDIS / ARUP LOS ANGELES MODEL MAKERS ATOLYE 78 ESREF MADANLAR, RACI GOREN
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Building Office has revealed or competition entry for the Tautos Namai Concert Hall in Vilnius. Our concept was to promote classical music not only in the concert hall also in the park. Thanks to Harun Ekerbicer and Roland Diamante for the effort and support! BUILDING OFFICE LINK
The 11th annual Middle East Architect Awards recognizes the best projects and people in the architecture community across the Middle East. With projects ranging from the world’s tallest towers to one-off villas, and individual nominations from veteran designers as well as bright young architects just starting out, the Middle East Architect Awards are the benchmark of success in the Middle East’s architecture sector.
We invite nominations from across the region, and draw on an expert panel of judges to award only the very best projects and people. With Middle East Architect’s reach into the region, including key markets such as Saudi Arabia, expect a diverse range of nominees and winners that represent a broad cross-section of the region.
Despite a challenging economic climate, the Middle East Architect Awards has grown every year since its inception, and 2018 is set to be no different with awards being presented across 13 categories at a gala dinner ceremony on Wednesday 21st November which is not to miss for anyone that works in the design or architecture sector.
The design park will become an iconic development that accommodates design students, professionals and host temporary pavilions, sponsored events. Design park is at the same time a weekend destination for the city to socialize.
As you approach using the ferry from İstanbul to Bandırma, you will start seeing the tip of our convention hall. And as you get closer, on the top of this beautiful hill you will start seeing the silhouette of all of the buildings. We have aimed to create this unique experience through architecture by maximizing the negative space in the buildings that will not count as part of floor area. While we do this, each building started have its own courtyard, its own atrium that becomes a pocket in the park experience – almost like a cave. The iconic character of the buildings is to an extreme extend that 5 star hotel is hosted within a pentagon plan and the four star hotel is located within a rectangular plan.
We were astonished by the beauty of the existing landscape and did not want to add or remove anything from the nature apart for a network of walkways to ensure the park is secure and easy to navigate through. On further stages of the project, the ruins of the military buildings can be carefully cleaned up and these spaces can become outdoor cafes, pop up stores. The ruins can be developed by the designers that occupy the buildings following a competition phase every year. Which will allow us to have a richer spatial experience within the park.
It was decided to keep the interference with the preserved zone to minimum. We proposed a local market like tent built on cables that run from the centre of the park to each building within the masterplan, for semi-shaded space above the exposed ruins. The edges of the site is occupied with the buildings forming a circular path around the hill which can potentially turn into a full circle development in the future allowing the ring road to meet Marmara Sea. All back of house and vehicular access is located at the close proximity to the existing road and the central part of the park is reserved for pedestrians.
The retail space is proposed to have three types. First being the permanent retail space below the 5 star hotel, second as the spilling out towards the central – transitional kiosks in the park and the third as the temporary cafes, pop-up shops within the listed buildings. The mall is located under the five star hotel and is a semi-indoor space opening towards the centre of the park like a castle bridge.
Bandirma Park has the flexibility to expand, by adding in-between structures in the near future because of the necklace like arrangement of buildings around the central point of the park.
Our new project is available on issuu and our website:
The internal organisation and the look of the Cacebey Medresesi in Kirsehir was the nucleus for the design of our Planetarium project. Cacabey is made out of different components expressed on the exterior, forming one single building. These components are taken to the new site and are re-defined programmatically as the entrance, ticket hall, observation hall, projection room and the library for the planetarium. They are spread within a sequence on the given site with no sense of directionality or given overall form to the building. The only defining principle of the sequence was where the journey starts and ends.
The center points of the components are connected with sheer walls creating a necklace which define and frame the interior for the ground level – not letting the daylight in at all. The second floor sits above all, like an egg-tray fixing the components into their position, acting as the roof terrace for the building. All the program requiring daylight is located at the second level.
The roof terrace (third level) is planned as a 24/7 observation deck for the public use in the form of a amphitheater, as a semi-public space – which has its own spiral staircase letting public skip the ground floor and access the roof immediately anytime of the day. Walls frame the terrace intentionally letting only the observation of the sky.
The facade is made by a single translucent component that repeats in two directions via operation of flipping, wrapping the entire second floor. This translucent component would allow daylight to diffuse into the classrooms and offices at the second floor. It would also allow the components forming the building to be expressed on the facade by their shadows. The inhabitable, deep steel frame forms the structure of this level.
The vast landscape against the tiny building given in the brief forced us to think about the landscape as a topographical element that stretches between the edge of the building and the edge of the site. We did not want to ruin this landscape with a car park at the ground level therefore the fabric like landscape bulges at the entrance of the underground car park. This hill like situation allows public to experience the building in different perspectives including the view that hints the presence of a secret public space, the terrace above the building.
Kirsehir Planetarium, with its ripples of landscape as echoes of its building boundary is designed to be a brand new public space that connects the new mosque with the new cultural center and the rest of the city as a cultural public plaza for Kırşehir.
“Design a beautiful house” competition entry by Building Office.
The Istanbul Courtyard-Tower is located in a former industrial area, currently being redeveloped, on the Asian side of Istanbul. While residential complexes in Istanbul are commonly designed as free-standing high-rise buildings, the 150 m high Istanbul Courtyard-Tower is a hybrid residential tower: a mix of the courtyard block and a high-rise tower. The project consists of three plots in total; along with the large residential complex of 217,500m2, there are two small plots covering 9830m2 which accommodate multi-purpose buildings with home-offices and retail spaces.
The form of the Istanbul Courtyard-Tower is the result of extruding the perimeter of the full plot with required setbacks of 26.5m from all sides. The building mass frames an inner garden larger than two standard football pitches, replete with trees and plants, playgrounds and multi-purpose buildings. The inner garden generates a communal setting within the large-scale housing complex, while simultaneously being well connected to the neighborhood via a public path which cuts through the building block.
The building is shaped in such a way that it maximizes the views towards the natural landscape which surrounds it: the Marmara Sea, the Princes’ Islands and the Aydos Hills. The building, which has a consistent thickness of 12m, accommodates single-loaded units served by multiple cores, over the full perimeter. Each unit provides access to a maximum number of 4 apartments. Due to this access strategy, 80% of the apartments have a double façade, facing the courtyard and sea to the south and the hills to the north.
The positioning of the balconies, providing the best views whilst also maximizing privacy in the lower areas, has generated an asymmetrical façade design. The façade consists of two major elements: an outer façade with horizontal stripes that become gradually thinner towards the top of the building, and an uneven grid spanning the inner façade, shaped by an overlap of the columns, which function as balcony dividers.
- Rem Koolhaas
- Iyad Alsaka